Welcome to Adoring Emilia Clarke, the online home for all the Emilia Clarke fans. We will provide you news, photos, in-depth information, media, fun stuff and much more on our favorite english star! You probably recognize Emilia as Daenerys Taragaryen in HBO's Game of Thrones, or as Sarah Connor in the latest Terminator Genisys. Emilia will soon be seen on the big screen in the drama Me Before You, as Louisa Clark.

If you have any questions, concerns or comments, then do not hesitate to get in touch with me. I hope you will enjoy the site, and that you will return within the near future for all the latest on Emilia!
Archive for the ‘Interviews’ Category
Nicole   /   July 12, 2017   /   0 Comments

ELLE.COM – In Game of Thrones‘s Daenerys Targaryen, Emilia Clarke has created one of the strongest, most enduring female characters in our pop-culture consciousness. So where does all that fire come from? Joseph Hooper explores this, as well as Clarke’s stance on motherhood, sex scenes, and life after GoT in ELLE’s exclusive interview in the August issue, on newsstands July 18.

On her anxiety over shooting the final season of Game of Thrones: “Oh God, I get sleepless nights over it. ‘Oh, you’re gonna mess it up. It’s the last season, and it’s going to go wrong.’ My mates are like, ‘It’s you—you [and Daenerys] are one and the same now. You need to trust your instincts!’ And I’m like, ‘ No, I’ve got to do more research!’ The higher everyone places the mantle, the bigger the fall. That sounds really awful, but it’s true! I don’t want to disappoint anyone.”

On shooting her commanding sex scene with Dario (Michiel Huisman) in the fourth season of GOT: It’s brilliant. I actually went up to [GOT cocreators David Benioff and Dan Weiss] and thanked them. I was like, ‘That’s a scene I’ve been waiting for!’ Because I get a lot of crap for having done nudes scenes and sex scenes. That, in itself, is so antifeminist. Women hating on other women is just the problem. That’s upsetting, so it’s kind of wonderful to have a scene where I was like, ‘There you go!’ (source)

Check the beautiful outtakes of Emilia’s photoshoot for ELLE in our gallery! HQ Digital scan from the issue will be added as soon as possible. Stay tuned!

Magazine Scans > 2017 – Elle US (August) [+1]
Photoshoots & Portraits > 2017 – Elle US [+5]
Nicole   /   June 29, 2017   /   0 Comments

TIME – Game of Thrones’ Emilia Clarke thinks she has chemistry with the dragon she rides — even though in real life it’s a bright-green rig, a bit like a mechanical bull, that moves like the fictional, animated creature. Clarke explains their bond: “ You get a romantic couple onscreen, and chances are they’ve had sex… Half of that reason is that as an actor, you’re convincing yourself you’re in love with that person.”

Or that creature. Clarke’s bond with her beasts has helped Thrones soar — and helped her transcend jitters on her first major acting job. “I’m 5-ft.-nothing, I’m a little girl,” she says. “I’ve got the face of a chubby six-year-old. You walk onto set and you’re like, ‘Hey guys, I hope you like me! How can I help? What can I do? How can I be helpful?'” Perched on the dragon and empowered to “go crazy,” she says, her insecurities fall away: ” Hey, everybody! Now who’s shorty?! ”

Clarke spoke to TIME in January for our cover story on Game of Thrones, whose seventh season premieres July 16. Here’s an edited transcript of that conversation.

(Read the rest of the interview at the source)

Nicole   /   June 28, 2017   /   0 Comments

ROLLING STONE – On a recent Monday afternoon, the queen was taking her tea. “Could I just be more English than sense itself and get an Earl Grey?” asks Emilia Clarke from the deep folds of a leather chesterfield sofa in the so-called Drawing Room of her downtown Manhattan hotel. The young waiter is only too happy to oblige, though it’s unclear whether he knows he’s in the presence of the Khaleesi, Mother of Dragons and rightful ruler of the Seven Kingdoms.
That being said, six seasons into HBO’s Game of Thrones – a cultural phenomenon that plays in no fewer than 170 countries, has inspired countless tattoos and baby namings, and has proved to be the network’s most popular show of all time, with a seventh season set to premiere July 16th – it’s more than likely that he does. Clarke smiles and tucks her feet up under her. “I’m crap at getting recognized,” she confides. “People are like, ‘Oh, hey!’ And I’m like” – she starts yelling – “‘God! Oh, hi! I’m sorry!’ “

When I first met Clarke, back in 2013, the actress was 26, still relatively unknown when not wearing her signature GoT blond wig, and not likely to compare herself to her warrior-queen character. She’d still seemed slightly in awe of the fact that she’d gotten the job at all, which was only her third acting role ever. “I’m all too painfully aware of how quickly this can disappear,” she’d told me when we’d met in a Broadway dressing room, where she was rehearsing to play Holly Golightly in Breakfast at Tiffany’s.

Four years later, Clarke has maintained her hallmarks – wry humor and ample good will, among them – but it’s clear we’re in another realm. Even in a messy bun and frayed blue jeans, she now comes across as a sort of beacon – poised, almost glowing, a point to which all other attention can’t help but be drawn. In other words, she has a way of commanding the room that seems downright Khaleesi-esque. She has, after all, now spent the bulk of her adult life embodying one of our culture’s most striking images of female domination, while eloquently explaining her onscreen nudity in broadly feminist terms. She’s turned 30 (of which she says, “I was just quietly panicking”). She’s graced the big screen multiple times, including opposite Arnold Schwarzenegger in Terminator Genisys. And, like the rest of us, she’s lived through Brexit and the ascendency of Trump, or, as she puts it, “ ’16. The fucking year where everything shit happened.” So, times have changed – for better and for worse.

“You can’t expect everyone to just stop doing their jobs and march every day of their lives,” she says of the volatile political climate. “But we’ve got to be in this shit for the long game.” And for Clarke, being “in this shit” means not being OK with a lot of what goes on around her – a realization that grew and amplified “in a [post-Brexit] era where you suddenly go, ‘What do you mean my views are so vastly different from my neighbor?’ ” Like, for example, her views on being one of the few women on any given set. Or the fact that women consistently have fewer lines than their male counterparts, even when they’re playing the “lead.” Or that actresses must arrive for hair and makeup hours before most of the male stars.

“I feel so naive for saying it, but it’s like dealing with racism,” she says. “You’re aware of it, and you’re aware of it, but one day, you go, ‘Oh, my God, it’s everywhere!’ Like you suddenly wake up to it and you go, ‘Wait a fucking second, are you . . . are you treating me different because I’ve got a pair of tits? Is that actually happening?’ It took me a really long time to see that I do get treated differently. But I look around, and that’s my daily life.”

(Read the rest of the interview at the source)

Photoshoots & Portraits > 2017 – Rolling Stone [+1]
Magazine Scans > 2017 – Rolling Stone (July 13-27) [+1]
Game of Thrones > Season 7 (2017) > Episode Stills > Unsorted Stills [+1]
Nicole   /   June 14, 2017   /   0 Comments

STYLE MAGAZINE – For 25 minutes, the actor best known as ethereal blonde Daenerys Targaryen on HBO’s Game of Thrones has been chatting breezily over the phone from her hometown of London, but now she chooses her words carefully. Emilia Clarke pauses. “That’s a really hard question,” she says, gathering her thoughts.

The subject: what character she most identifies with from ‘90s sitcom Friends. “I love Rachel,” she says. “We all want to be Rachel. But there’s something about Monica that is so reassuringly neurotic.” The true identity of her Friends spirit animal has been a subject of much debate with her best friend, Lola Frears, the daughter of Florence Foster Jenkins’ director Stephen Frears. “I feel like we both want to be Rachel but are both a bit Monica,” Clarke admits.

As proudly educated as Clarke is in the preposterously detailed world of Westeros built by George R. R. Martin in his “A Song of Ice and Fire” novels and refined by David Benioff and D.B. Weiss on the HBO phenomenon, returning July 16, Clarke is at least as big of a television nerd for the millennial must-see TV staple Friends. She outed herself as a Friends superfan on Graham Norton’s U.K. talk show last year, where she appeared alongside Matt LeBlanc. “I have one slight request for you,” she said to him as the cameras rolled. “Would you be able to ask me how I’m doing?” As LeBlanc mouthed Joey Tribbiani’s signature “How you doin’?”, she broke into nervous giggles.

Yes, Clarke knows what it’s like to be that kind of a fan, which is probably a very good thing considering her filmography, which includes such obsessed-over roles as Sarah Connor in 2015’s Terminator Genisys, an as-yet-unnamed character in 2018’s Han Solo prequel, and, most famously, Khaleesi herself on Game of Thrones.

The 30-year-old grew up in Berkshire outside of London, her father a sound engineer for the theatre and her mother a vice-president of marketing. She won her role in Game of Thrones in 2010 after the pilot had already been shot with British actress Tamzin Merchant playing Daenerys. (In an inauspicious debut, the pilot episode would be 90% reshot). Her brief résumé at that point included a guest-role on British soap Doctors and the direct-to-DVD Jurassic Park rip-off Triassic Attack, which no one has seen, including, according to last report, Clarke herself.

(Read the rest of the article at the source)

Nicole   /   June 28, 2016   /   1 Comment

ENTERTAINMENT WEEKLYSo Dany finally left Meereen!
Since marrying Khal Drogo, her one aim has been to get back to Westeros. But, oh bugger, I gotta learn how to rule. Oh god, we gotta get here first. Oh f—, I might as well rule this city. Ah, a revolt – bugger! Dammit, now I’ve got to go over there! No more slaves! Done! Brilliant! She’s got the dragons. She’s got the manpower. She’s got the ships thanks to the Iron Born. So there’s nothing else to do. She’s got to go now. Iron Throne!

And she’s got the confidence now too …
Exactly. She’s got the balls. And she also knows she’s got to go forward to help Meereen. She’s got to sit on the Iron Throne for the ripple effect. She knows she can do rule better than anybody else.

How does it feel to know Dany is finally going for it – unless there’s a storm at sea and all your ships sink.
Don’t even suggest that! You might give them ideas. I’m going to go back and see my mates, so Emilia feels really happy, I get to come home. It’s amazing. But the idea [Dany] might might not see [Jorah Mormont actor Iain Glen and Daario Naharis actor Michiel Huisman] again, that idea suddenly makes the show feel like it has a finite ending and that’s really sad. So there’s the excitement of getting there and being with everyone else and also being like, “Yo! Other queens! Bye!”

Speaking other queens, you have to think Cersei doesn’t stand a chance. You got dragons, the Unsullied and the Dothraki. She can barely control anybody around her aside from a gang of street kids.
I mean, yeah. That’s what I’m saying. If we talk about this: basically, I’ve got ships, I’ve got manpower, I’ve got dragons that breathe fire, and I apparently cannot be killed. I don’t even have an attractive man who wants to take his shirt off anywhere near me now, so there are no distractions. Though we have yet to see [Peter Dinklage] without his clothes on. The only thing missing is Jorah. He’s gotta come back. I said I can’t rule the Seven Kingdoms without him … But as with Game of Thrones, you know when your character is looking good, that’s when you know you’re not safe. Because [the writers are] all, “Oh, do you like her? We’ll kill her!”

Speaking of men taking off their tops, it seems pretty likely now that Dany will meet Jon Snow at some point, right? Fire and Ice?
Yup, but I just don’t know. Those rumors have never been substantiated within the Game of Thrones circle. It’s never been said. So I don’t know. I could kill him. He could kill me. He could be dead before we even meet. I could be dead before we even meet. Arya could kill us both! You never know! Anything’s possible. All I know is winter is coming … and I’m bringing the heat!

(source)

Nicole   /   June 13, 2016   /   0 Comments

THE VIOLET FILES – Emilia Clarke has been crying. The 29-year-old actress just said goodbye to her best friend, who had been visiting for the past month. “There were tears,” she says. “Two crying girls.” Indeed, friends and family are everything to Clarke. While she’s known for enjoying the company of dragons in her icon-making role on HBO’s megahit Game of Thrones, in real life the people close to the actress are “what makes me feel powerful,” she asserts.

Clarke splits her time between Los Angeles (she has a house in Venice) and London, which she considers home. But “ninety percent of the time I live out of a suitcase,” she says. In the wake of the season-six Thrones premiere [when VIOLET GREY met the actress], the suitcase is coming out, as Clarke heads off to Washington, D.C., for the White House Correspondents’ Dinner. She is then flying to Kentucky to start work on what she calls her most demanding role to date, in the film adaptation of Joe Sharkey’s true-crime book Above Suspicion. “It’s an amazing, dark, dark drama—Phillip Noyce is directing. I get to play a drug addict—it is really gritty and I cannot wait!” she says with great zest. “It’s so incredibly outside my experience, and takes on a real story,” she explains of the role’s challenges. “When you take a piece of material that is already loved out of people’s imaginations and put it on screen, you know you’re going to make some people happy and some people unhappy.”

In preparation, she’s taking a deep dive into all things Southern, studying reference materials like history books and the documentary The Wild and Wonderful Whites of West Virginia (“It gives you a real insight,” she enthuses). The already lively Clarke becomes even more animated when discussing her craft: “Everyone’s got a reason for being the way they are, making the choices they make,” she says of her technique. “And if you can tap into those reasons, you can give a fully realized performance that’s lived instead of just being a job.”

(read the rest of the article/interview at the source)