elcome to Adoring Emilia Clarke, the online home for all the Emilia Clarke fans. We will provide you news, photos, in-depth information, media, fun stuff and much more on our favorite english star! You probably recognize Emilia as Daenerys Taragaryen in HBO's Game of Thrones. Her latest role was Qi'Ra in the newest Star Wars movie Solo: A Star Wars Story, and she will be seen next in the West End production of Five Times In One Night and in the thriller Above Suspicion.

If you have any questions, concerns or comments, then do not hesitate to get in touch with me. I hope you will enjoy the site, and that you will return within the near future for all the latest on Emilia!
Above Suspicion

Emilia as Susan Smith
Solo: A SW Story

Emilia as Qi'Ra
Game Of Thrones

Emilia as Daenerys
Last Christmas

Emilia as Kate
Archive for the ‘Magazine Scans’ Category

ENTERTAINMENT WEEKLY – The great battle is over.

The snowy ground is streaked with blood.

Beloved heroes lay dead outside the castle gates.

Winterfell is quiet.

And then…

A sudden roar from above. A gust of wind. A blur of low-flying movement.

A dragon?

No.

An ice dragon?

Worse.

“F—king spoiler helicopter just flew right over the set!” says an alarmed crew member.

This could be a disaster. It’s April 2018 on the set of the final season of Game of Thrones in Northern Ireland. The helicopter seemingly came out of nowhere and flew directly over a ridiculously sensitive scene from the show’s final season. The production is supposed to have government-protected airspace — no planes, no drones, and sure as the seven hells no mystery choppers buzzing Winterfell. If paparazzi armed with cameras were on board, their photos would cause an explosion in the entertainment universe. Did anybody get its tail number?

The production calls the Civil Aviation Authority to track down the pilot’s identity while showrunners David Benioff and Dan Weiss are informed of the potential breach. As usual, they are calm. You cannot command a set as sprawling and intense as Game of Thrones and lose your cool every time there might be a catastrophe or you’d never stop hyperventilating.

“There’s always a crisis, there’s always an imminent disaster,” Benioff says. “You never quite know where it’s coming from but, over time, you get a sense of where the real catastrophes are and which ones are probably going to be okay.”

After a tense hour, the news comes down: It was a police helicopter. So GoT’s secrets remain safe for now. All the while, the production never stopped moving. The show must go on, after all, and the HBO drama’s final season is the biggest show on the planet, spending 10 months filming just six episodes for its climactic season 8. Expectations are incredibly high.

“The fans will not be let down,” says director David Nutter. “There are a lot of firsts in these episodes. There’s the funniest sequence I’ve ever shot on this show, the most emotional and compelling scene I’ve ever shot, and there’s one scene where there’s so many [major characters] together it feels like you’re watching a superhero movie.”

Nutter tackled three episodes in the final season, including a calm-before-the-storm entry that might surprise viewers with its play-like intimacy. The showrunners also directed one episode: the mysterious series finale. (More on that in a bit.)

But it’s the season’s most ambitious entry — arguably the most difficult-to-produce episode in television history — that’s expected to be particularly staggering.

(Read the rest of the article at the source)


Magazine Scans > 2019 – Entertainment Weekly (March 15-22) [+1]
Game Of Thrones > Season 8 (2019) > Entertainment Weekly Promotional Photos [+2]
Game Of Thrones > Season 8 (2019) > Episode Stills > 8×01 – [+1]

Emilia is featured on the cover of Elle France – November 23 issue – with an amazing new photoshoot! This must be one of my favorite of her so far.

Digital scans from the issue and outtakes have now been added to the gallery! Let’s hope more will be released sometime soon. Enjoy!


Magazine Scans > 2018 – Elle France (November 23) [+7]
Photoshoots & Portraits > 2018 – Elle France [+5]

ENTERTAINMENT WEEKLY – Daenerys Targaryen and Jon Snow return on this week’s cover of Entertainment Weekly.

In the latest issue, we go behind the scenes of Game of Thrones, the most secretive series on television, for the HBO epic’s final season.

From an emotional table read to staging the show’s biggest battle yet to a preview of the season 8’s mysterious storyline, the new issue is an exclusive first look at the show’s six remaining episodes from the set in Northern Ireland.

“It’s about all of these disparate characters coming together to face a common enemy, dealing with their own past, and defining the person they want to be in the face of certain death,” co-executive producer Bryan Cogman says. “It’s an incredibly emotional haunting bittersweet final season and I think it honors very much what [author George R.R. Martin] set out to do — which is flipping this kind of story on its head.”

On the cover, Emilia Clarke and Kit Harington embrace in the first official photo from the set of the final season. The actors endured a grueling 10-month shoot to create just six episodes amid the cast and crew’s obsession to make every detail of the final hours as excellent as possible.

“It’s relentless; scenes that would have been a one-day shoot five years ago are now a five-day shoot,” Harington says. “They want to get it right, they want to shoot everything every single way so they have options.”

Agrees Clarke: “[Camera] checks take longer, costumes are a bit better, hair and makeup a bit sharper — every choice, every conversation, every attitude, has this air of ‘this is it.’ Everything feels more intense.” (source)

Emilia is featured in the October 13 issue of the italian magazine IO Donna, with a beautiful new photoshoot which shows her brand new haircut! She looks amazing!! I wanted to translate the interview but I’m too lazy to do it, sorry!

But you can enjoy the outtakes and the scans in our gallery :)



VANITY FAIR – On a rainy April afternoon, Emilia Clarke enters the bright, airy Egyptian galleries of the Metropolitan Museum of Art the way so many movie-lovers before her have: quoting Billy Crystal in When Harry Met Sally. Adopting the unsourceable accent Crystal uses opposite Meg Ryan in a famously improvised scene filmed in this very room, Clarke starts stuttering, “Pah-pah-paprikash.” Our amused if bewildered guide, too young to get the reference, adds the 1989 rom-com to her list of movie recommendations from Clarke, who has already gushed about the 2017 religious drama Novitiate. Chuckling over this unlikely double feature, Clarke assures her, “You have two incredible movies coming your way.”

One reference the guide does get: Game of Thrones, the HBO juggernaut which stars Clarke as its most unstoppable heroine, Daenerys Targaryen. In fact, the very tour we’re taking, put together by a company called Museum Hack, is based on the series, and offers a fan-friendly survey of the sometimes inscrutable displays of the Met. You don’t have to be an art historian (our guide is an aspiring actress) to understand what Greek fire, Damascus blades, heraldry, mutilated men, samurai kamon, the dragon-born St. Margaret of Antioch, and an early female pharaoh have to do with wildfire, Valyrian steel, house words, and Clarke’s world-famous alter ego.

And yet, despite her fame, Clarke has managed to spend a full half-hour in the museum sponging up our guide’s trivia without being spotted. For years, Clarke’s brown hair let her hide in plain sight, but she recently bleached it an icy Targaryen blond. So, why the invisibility? Maybe it’s her height. “We both have a thing about our stature not quite being what people expect,” says her co-star Kit Harington, who, at five feet eight, has six inches on Clarke. Maybe it’s her outfit—the gray overcoat, cream sweater, and jeans are a far cry from the cloaks and armor of Thrones. Or maybe it’s her bright, decidedly non-intimidating personality. “When I’m goofing around with my pals, I’m unrecognizable,” she says. Harington calls Clarke’s humor “naughty,” and it’s certainly true that her informal, expletive-laced banter is a far cry from Daenerys’s imperious tones. “Sometimes, if I’m in a really bad mood,” Clarke notes, “people are like, ‘Khaleesi!’ ”

(Read the rest of the article at the source


Magazine Scans > 2018 – Vanity Fair (Summer) [+1]
Photoshoots & Portraits > 2018 – Vanity Fair [+5]

VARIETY – The hackneyed industry catchphrase “creative differences” has been enlisted countless times over the decades to describe Hollywood productions gone amok, prompting a change in the director’s chair. The modern “Star Wars” series has not been immune: More than half of Lucasfilm’s recent efforts have suffered through episodes of filmmaker upheaval.

But the latest installment, “Solo: A Star Wars Story,” due out May 25, upstaged them all when the production veered off the rails so spectacularly that it forced filming to grind to a halt after four months. With mere weeks left on the shooting schedule, producer Kathleen Kennedy fired directors Phil Lord and Christopher Miller and hired veteran Ron Howard to right the ship.

Suddenly, the Oscar-winning director of 2001’s “A Beautiful Mind,” who along with his Imagine Entertainment partner Brian Grazer has overseen dozens of features, was tasked with the daunting job of overhauling the embattled franchise spinoff. Howard shot about 70% of “Solo,” thus earning him sole director credit on the movie, with Lord and Miller receiving executive producer acknowledgments. With the reshoots, the movie wound up costing more than $250 million.

“I didn’t witness any of the difficulties or where that disconnect was,” says Howard, who is 64. “But the one thing that I could bring to it was objectivity. I saw it as an opportunity.”

“Solo” is the fourth film in Disney’s revamped franchise machine to creatively malfunction: Director Josh Trank exited a still-unmade Boba Fett spinoff in 2015; Oscar-nominated filmmaker Tony Gilroy was brought in to save 2016’s “Rogue One: A Star Wars Story” when director Gareth Edwards’ efforts missed the mark; and “Jurassic World” helmer Colin Trevorrow — who was originally hired to direct the next “Star Wars” movie, “Episode IX,” in 2019 — was shown the door following clashes over the script.

That’s a lot of behind-the-scenes pandemonium for a brand meant to transport viewers to a galaxy far, far away.

For many in the cast, it was a shocking twist to find themselves not only set for a four-month extension but under new leadership to boot. However, they say the episode provided an invaluable learning experience.

“I’ve tried to use this as an opportunity to navigate pressure and what other people think,” says the film’s 28-year-old star, Alden Ehrenreich, who plays a young Han Solo. “That pressure is always there on every movie. This is just a very intensified version of that. For me it’s about ‘What do I have control over?’ And it’s very little.”

Donald Glover, who assumes Billy Dee Williams’ cape as a young Lando Calrissian, agrees. “I was just like, ‘I know this is not ideal, but now there’s a control in this experiment,’” he says. “It was weirdly beneficial, not to belittle the seriousness of the situation, and [Lord and Miller] were really good. But I think there was honestly a miscommunication in the artistic vision.”

(Read the rest of the article at the source)


Magazine Scans > 2018 – Variety (May) [+1]
Photoshoots & Portraits > 2018 – Variety [+2]
Film Productions > 2018: Solo A Star Wars Story > Behind the Scenes [+1]

Also check a behind-the-scenes video from the cover shoot below!